Loath though I am to suggest that this film should have more THE ROOM-level dialogue or more scenes of hunky shirtless men or more confusingly-staged melodrama or more scenes of the mother (Nicky Whelan) and son (Parker Mack) who look the same age but PRETTY LITTLE STALKERS really needed more establishing scenes for most of its central characters. We’re told that Mark is popular but he really doesn’t come across like that. A romance develops between Mallory (Ashley Rickards) and Mark mostly off-screen.

A reflection on how machine learning reduces the human experience to mere data points.

Pixelated CCTV camera footage and predictive text poetry highlight the paucity of meaning at the heart of machine learning.

Flicker of humanity.

Machine learning flourishes over human dance.

A car’s internal monologue reveals the emptiness of a world without meaning.

Sepia images blur into grotesque mockery of a photographic archive.

Connection and community are explored through some deep performances from child actors.

A reflection on machine learning through the medium of backflips. Hilarious and poignant.

Charming rumination on thinking under lockdown.