Interactive impossible loop of relationship break-up.

A competently-produced Catholic horror film drawing on THE OMEN, THE WICKER MAN, and THE SHINING. There’s a kernel of an interesting idea at the core of the narrative but the script needed at least one more draft and perhaps would have benefitted from leaning into schlocky rather than self-serious.

Ellie Foumbi’s debut feature makes terrific use of light and shadow for its story of trauma, revenge, and forgiveness. Marie (Babetida Sadjo) is haunted by her past trauma and sees it in the face of the new priest, Father Patrick (Souleymane Sy Savane).

Enjoyable as a sweet throw-back to quirky indie comedies of the ‘00s: a little NAPOLEON DYNAMITE and a dash of Kevin Smith.

An English woman struggles to find the M8 and gradually learns to see Scottish people as human beings. The best representations of the alien and unknown use abstract visual poetry to represent the alien as not only unknown and unknowable but literally inconceivable to us within the bounds that we think in.