film reviews as long as the films
20969 words / mins total
Page 22
Like the film’s wyrd combination of paganism and Christianity, it’s the combination of elements that elevates this early entry into what we’d now call the folk horror subgenre.
I watch this every year around this date and I would do so even if it were nothing but Maya Rudolph’s ‘Key Change’ song.
Albert Brooks’ early satire of reality television is almost too dry for its own good with a lot of the best parts carried entirely by Brooks’ delivery.
An adaptation less confident in its source material might have focused on what comes before and what happens after but WOMEN TALKING focuses in on the crux, the critical moments of decision that determine the fate of these women, their community, their families, and their religion.
What’s it called? Cumbernauld! Bill Forsyth has an incredible ability to draw a whole character in only a few brush strokes.
Instructional video parodies always the best Disney cartoons.
It’s a shame that this is so clearly made as a (apologies) copycat of THE SILENCE OF THE LAMBS since it actually has some interesting things to say about the influence of true crime on its audience and about serial killer fandom and it’s a shame a lot of that is watered down by the film’s adherence to the structure and tone of its predecessor.
You wonder why they kept this title until you hear the screenplay’s idea of dialogue. For a film about time travel shenanigans, it’s ploddingly leaden and self-serious all the way through with dialogue either being outright expository or sour-faced portentousness (apart from the protagonist’s sister who actually speaks quite naturally usually about her quote best friend unquote).
When I was at school, a teacher wrote the word ‘prat’ on a pupil’s forehead in permanent marker. I wasn’t in the class where this happened but it became legend throughout the school, passed on through gossip in the corridors and the schoolyard.
Still looks incredible: not just the mixing of animation and live-action elements but the period 1940s LA production design and the animation itself.